My first ever upload. I am curious how the sound is?
Jamie McLean | New Orleans Chords & Rhythms
This masterclass features guitarist Jamie McLean giving a lesson on New Orleans rhythms and chord shapes. Jamie introduces himself and his background playing with Aaron Neville and the Dirty Dozen Brass Band. He is joined by Michael, who helps introduce the live stream format.
Jamie dives into common chord progressions and rhythms used in New Orleans style music. He explains that standard barre chords don't always work well in a full band context with other instruments playing. Jamie demonstrates that smaller chord shapes using the root, third, fifth and flat seventh notes allow more space in the mix.
Jamie then shows four different Bb7 chord shapes that use these smaller fingerings for variation. The shapes are played in different positions on the neck. Jamie plays through each shape to demonstrate their sounds and how they can be moved around.
Questions from viewers are addressed, such as sliding between the shapes and muting techniques. Jamie plays along to a backing track to demonstrate how the shapes can be used over a rhythm. He incorporates approaches from half steps above and below.
At the end, Jamie thanks everyone for attending and invites viewers to check out upcoming tour dates on his website. Michael provides information on how viewers can post video responses to the lesson online. This serves as an introductory masterclass on essential New Orleans guitar techniques.
Day 1 lesson on 7th chords in Bb. I made a simple backing track in Studio One and played directly in while taking a video at the same time. I didn't know any of these shapes except the 3rd fret one so it took me all week to get it down and the 13th fret one is still not quick. Definitely a different style for me.
Paolette Nancy Lounge humbucker tele (lefty of course) with a BIAS amp custom plugin i tweaked for this vid.
I took Jamie’s Dom7 class and combined it w/ Michael’s CAGED fireside chat. The idea is to hot those 4 shapes moving around the circle of fifths. As you will hear, this sounds like a monkey humping a football, but in theory it’s great! I want to get to where I see the chords fast enough to not have to stop and think about what is next while I’m on beat 3. I reckon nailing this w/ a metronome and then expanding it to include 4 note voicings for maj7 and min7 would be pretty useful as well.
First things, first. Let’s nail what Jamie has laid out and see what’s next.
Introduction [0:00:03 - 0:01:50]
- Jamie McLean introduces himself and his background playing with Aaron Neville and Dirty Dozen Brass Band
- Michael Palmisano introduces the live stream and thanks Jamie for participating
- Jamie expresses excitement for the lesson and learning experience
New Orleans Rhythms and Chords [0:01:50 - 0:06:29]
- Dominant 7th chords are commonly used in New Orleans style
- Standard barre chords don't always work well with full band
- Jamie demonstrates smaller chord shapes using root, 3rd, 5th, and flat 7th
- These shapes allow more room in the mix for other instruments
- Jamie will demonstrate shapes that can be used instead of standard barre chords
Demonstration of Chord Shapes [0:06:29 - 0:11:20]
- Jamie demonstrates 4 different Bb7 chord shapes in different positions
- Shapes use different fingers and notes to create variation
- Shapes can be moved around the fretboard
- First shape starts on 6th fret with flat 7th, 3rd, 5th
- Subsequent shapes move the root note up the neck in sequence