Request a REACTION

Hey Michael! I watched your reaction video for Radiohead and Portishead and I thought it was a blast hearing your dissect stuff that I’ve been listening to for years. It really gave me a fresh perspective and renewed appreciation for stuff I already loved!

I’m writing on behalf of a smaller Indie band called Phourist & the Photons from Louisville, KY and I can’t help but wonder how you would react to this material. Would just love to see how someone with a ton of experience and knowledge would break down the theory for this track Nerve Dance! No worries if you’d rather not do a lesser known group, but figured I’d give it a try! Thanks a bunch!

I mean.... not sure what needs to be said about this song. It's brilliant. Very interesting chords, but of course the star of the show is the vocals.

The Mountain Grass Unit consists of three Birmingham pickers: Drury Anderson (mandolin and vocals), Luke Black (acoustic guitar and banjo), and Sam Wilson (upright bass). The Mountain Grass Unit has played music festivals, private functions and multiple music venues, playing bluegrass tunes and adding a bluegrass touch to country, jazz, funk, rock, and even metal. With the addition of Luke Black and Sam Wilson on harmonies, The Mountain Grass Unit has established the firm foundation to take on not only the vocal harmonies of traditional bluegrass tunes, but also the freedom to adapt songs from various genres to an all-acoustic format. Aside from their original songs, all three are equally comfortable restyling a Tony Rice number, a classic Grateful Dead tune, or covering contemporary acoustic masters like Billy Strings. The youthful exuberance and energy they bring to the stage is always remarkable. Their competency at what they do was best described by Birmingham music promoter Steve Masterson when the boys performed at his Acoustic Café festival: “They don’t just play good for their age, they play good. Period”. Sam, Luke, and Drury are excited to share with their audiences this new and exciting musical chapter.

Not really a guitar tune but this song f*'kin gets me every time I listen to it.

I'd like to hear your take on it, and maybe what you would add to it with a little improvisation

A lot of what I get from your videos aren't just about the theory, but a lot of it is your interpretation of the emotional aspects of the msuic/themes

Hope you're well, love what you do