Katie Pruitt: Out of the Blue
Capo 2nd fret. (Calling out chords as though there were no capo. Otherwise I’ll get lost in sharps because it’s in F#…)
Time is in 3/4
Emaj7 to Amaj7 … beautiful use of open strings
When she sings, starts on Emaj7 and then there is a D#m7 for 2 beats to G#m7 before landing on Amaj7. Why does that work? D# is the maj7 of Emaj7. G# is the maj7 of Amaj7. D# to G# is also a secondary dominant. (I know this by shape/arpeggio. I don’t have all the notes in every chord memorized. But I know where my 1-3-5-7 are based on CAGED shapes and learning the underlying arpeggios.)
Fucking brilliant.
Second cool move is F#m7 subbing for an A chord since the upper triad in F#m7 is an A major chord.
3rd cool move is going from A to Am before landing home on E. Thats the ol’ lV to lVm songwriting trick. Except the IV is subbed for a 7th chord that has the IV as the upper triad.
Man! I hope Jason Isbell, Sturgill or Brandi Carlile or one of these other great songwriters take her on tour. Chris Stapleton, Derek/Susan… someone get this girl in front of your audience.