Just trying to focus on hitting those chord tones. I love the sound of having non diatonic chords in the progression although it was really challenging not to get lost. Great lesson Jack!
Jack Ruch | Harmony Basics & Melodic Soloing
Jack Ruch gives a guitar masterclass on connecting chord tones through triads. Michael Palmisano introduces Jack and explains how viewers can interact through the live stream platform. Jack demonstrates a chord progression in C major and talks about analyzing the chords and scales that fit. He emphasizes playing chord tones from triads to connect melodically between chords. Jack takes questions from viewers and brings some on screen to demonstrate concepts in more depth.
Throughout the masterclass, Jack stresses the importance of practicing chord tones from triads systematically to internalize chord changes. He shows how to visualize triads on the fretboard and move between them fluidly. Viewers learn how focusing on triads first allows them to add scale ideas later while staying connected to the harmony. The interactive format allows for real-time discussion and examples to clarify techniques for soloing melodically over chord progressions.
Still trying to get a better feel (mechanically and my ear) for the triads of a chord and their relationship to the next chord in the progression. Up to this point, I felt like my solos had no direction just aimlessly hitting a pentatonic or an arpeggio across all strings. I feel like this lesson really helped me hone in on something specific that will build a solid foundation!
Motif driven arpeggio chord variation ascending lines.
Tried to be conscious of balancing simple melodic lines with riffs and triads.
Introduction (0:00-5:07)
- Michael introduces Jack and explains the live stream format
- Jack plays a chord progression in C major and improvises over it
- Technical issues with backing track are discussed
Analyzing chord progressions (5:07-10:57)
- Jack explains how to analyze a chord progression by identifying the key and diatonic chords
- This progression uses chords borrowed from the relative minor key
- Playing pentatonic scales over the chords works but is limiting
Using triads (10:57-27:18)
- Jack demonstrates visualizing triads on the fretboard in different positions
- He shows how to connect triad shapes between chords smoothly
- Practicing triads systematically helps internalize chord changes
Question from Luke P (27:18-34:01)
- Jack discusses how and when to incorporate blues elements into melodic soloing
- The blues scale works better in small doses to add flavor rather than as a foundation
Question from Mr. Tonic (34:01-47:05)
- Jack explains practicing with triads alone for clarity at first
- Embellishments like scales are added later while staying connected to the chords