I had to spend a lot of time on this. Also the recent master class "learning to play over chord changes" really helped me out with it
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I did not do well with this lesson. It took me an embarrassing number of takes to even get this. I am not good at thinking about "emphasizing thirds and sevenths" on the changes. Not at all.
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I tried two of Michael's and one that I already knew.
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This was fun. My fingers kept trying to go back to playing it as a (relative) minor blue scale because that's what I'm used to 😂.
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Felt like I was emphasizing the b5 when I did it, but listening back I can't quite hear where the b5's are. But trust me they're there.
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I rolled the coursework all of section two of the blues course into this song, So there's a shuffle, a walking base, a 7th chord comp, and a ninth/sixth comp, and the progression alternates between major (I7 IV7 V7) and minor (i7 iv7 V7)... To make it a better jam track to solo over, the 6th / 9th comp track drops out for the second half and would come back in when the loop restarts.
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I rolled the coursework all of section two of the blues course into this song, So there's a shuffle, a walking base, a 7th chord comp, and a ninth/sixth comp, and the progression alternates between major (I7 IV7 V7) and minor (i7 iv7 V7)... To make it a better jam track to solo over, the 6th / 9th comp track drops out for the second half and would come back in when the loop restarts.
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I rolled the coursework all of section two of the blues course into this song, So there's a shuffle, a walking base, a 7th chord comp, and a ninth/sixth comp, and the progression alternates between major (I7 IV7 V7) and minor (i7 iv7 V7)... To make it a better jam track to solo over, the 6th / 9th comp track drops out for the second half and would come back in when the loop restarts.
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I rolled the coursework all of section two of the blues course into this song, So there's a shuffle, a walking base, a 7th chord comp, and a ninth/sixth comp, and the progression alternates between major (I7 IV7 V7) and minor (i7 iv7 V7)... To make it a better jam track to solo over, the 6th / 9th comp track drops out for the second half and would come back in when the loop restarts.
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I rolled the coursework all of section two of the blues course into this song, So there's a shuffle, a walking base, a 7th chord comp, and a ninth/sixth comp, and the progression alternates between major (I7 IV7 V7) and minor (i7 iv7 V7)... To make it a better jam track to solo over, the 6th / 9th comp track drops out for the second half and would come back in when the loop restarts.
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Both rhythm and lead are each tracked in parallel on universal audio Ruby/Dream pedals (AC30 and Deluxe Reverb Sims, respectively)... For the lead tone there's a Amazon klon knock off juicing both Sims, plus the ruby internal boost is on and cranked. The Ruby/dream each have their own reverbs that are on modestly.
... The whole thing came out a little cleaner than it normally would because I happen to be using an old Harmony rocket that only has a neck pickup.
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I love these progressions
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First loop is the first way and the second loop is the other way
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Somehow this is my most comfortable mode. Go figure.
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I really like working in the sevenths sometimes and then not working them in other times. Makes it easier to try to tell a story with the notes.
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I'm so glad I did this exercise. Probably the first time I played in Dorian and I was thinking in Dorian instead of just thinking in the relative Ionian.
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Noooooooooo!!!!!! (Collapses on the ground and starts Hammer fisting the floor)
... I spent like a solid week with shedding all those triads and exercises and one five four progressions for level four...
... I was finally free, It's finally time to move on and live my life...
... And here we are for more triads! 😩
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This level five course was a big step forward for me on guitar. I've been woodshedding these closest moves and up-down neck exercises in every key for the past week. Not going to lie, I'm glad it's over. That's a lot of wood shedding.
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I just did a hybrid exercise mashing together closest moves with moving up and down The neck in a I IV V progression. I basically have spent the entire last week nailing this down in every single key and every string combination (321, 432, 543, 654). I think after this I'm never going to not know what note I'm playing on a guitar again. #eatyourvegetables
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I just did a hybrid exercise mashing together closest moves with moving up and down The neck in a I IV V progression. I basically have spent the entire last week nailing this down in every single key and every string combination (321, 432, 543, 654). I think after this I'm never going to not know what note I'm playing on a guitar again. #eatyourvegetables
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It gets a little sloppy in the middle, but I thought I'd I do another take it wouldn't be improv (this was the 2nd or 3rd)
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I didn't go too crazy with this because I see there's a whole other course just for hybrid picking (looking forward to it)
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